Process doesn’t feel like an album that was just waiting to happen. It feels inspired. Motivated. Forced, you could even say. Like a journal entry of an event so cataclysmic you absolutely had to write about it. And thankfully, Sampha did.
If you think this is the first time you’ve heard of Sampha, I can absolutely assure you that you have heard of him before. He’s collaborated with Solange on ‘Don’t touch my hair’, with Kanye on ‘Saint Pablo’, Frank Ocean on Endless and Drake on Nothing was the Same. In fact, he achieved vine stardom (when this was still a thing) because of ‘Too much’ off Drake’s Nothing was the same. This isn’t to say that Sampha is some sort of puppet master, ghost writing at the strings of major artist. Sampha’s voice is just honest. Plain and simple. When the rapper is trying to make you understand his struggle, Sampha’s voice is there to highlight everything in bold. Look at Kanye’s second verse from ‘Saint Pablo’:
Cause if I’m up way too much, I’m out of touch
I’m prayin’ a out-of-body experience will happen
So the people can see my light, now it’s not just rappin’
God, I have humbled myself before the court
Drop my ego and confidence was my last resort
Wow. This is Kanye actually being humble. Not to say that he’s the egomaniac he presents himself as, but in one of the few times that he isn’t being a total jackass, he has Sampha holding it down with this:
In 2014, Sampha lost his mum to cancer. His reaction to it fills the brim of Process and it is utterly heartbreaking. From start to finish, he bares his soul. On ‘Plastic 100c’, through the veil of outer space, he talks about how life can be when everything is changing unbearably fast:
I love those mornings, when the sun’s up
Smoking in the lobby, waiting for my name to pop up, yeah, pop up
Usually I’d run home, and tuck the issue under
Oh, sleeping with my worries, yeah, I didn’t really know what that lump was, my luck
This event hit him hard and still, right up until the end, he never gave up. On ‘Kora Sings’, he says:
A pillow on your face soaking up those tears
Who’s anyone to say you should have no fear?
A mouth full of smoke really made things clear
You’ve been with me since the cradle
You’ve been with me, you’re my angel
Please don’t you disappear
On ‘(No-one knows me) Like the Piano’, he brings the hammer down on everything he’s been feeling in three short verses. It’s a ballad, but not in the conventional sense. Not a husband to a wife or a lover to another, but a boy appreciating what his mother has done for him. From raising him to simply bringing a piano into their home.
There’s a running theme in this album: The burning sun. Sampha’s trying to escape everything that has happened to him. Running like they smell the “blood on me”. But like the burning sun, he can only run so fast, so far. This doesn’t mean he’ll stop running.
Rated: 4.1 / 5
Image: Rolling Stone